For Do Nothing, topping their last EP, Zero Dollar Bill, was always going to be tough. Luckily for fans, the band may have just managed it.
The Nottingham four-piece’s latest offering is less explosive and more contemplative, almost subdued at times. But, it is honest and poignant to such an extent that it becomes cathartic, all in between a harmony of frantic and funky instrumentation.
This offers a beautiful contrast on ‘Uber Alles’, as the vulnerability in Chris Bailey’s deadpan delivery interlinks with urgent and erratic guitar.
Conveying a deep sense of aimlessness and confusion that could resonate with anyone in 2021, the disorientating and unpredictable lyrics depict a longing for understanding as Bailey relentlessly questions: “What happens when you get everything you want? What after that? How come tomorrow’s always shining like a swordfish? If you ever really loved me, why’d ya stab me in the back?”
Sombre reflection also runs through the chorus of ‘Rolex’, as Bailey asks, “when this all goes away, what will I do then?”. The true meaning of his self-interrogations is only known by the band, but the aforementioned conundrum is one that will ponder many.
‘Knives’ offers lighter guitar than the sonorous sound of much of the EP, and even features lighter vocals. Yet, the lyrics remain as thought-provoking as ever – nonsensical at times even (“London’s always in mid-air, it’s only laughing cos it’s scared, I was raised with contact sport, hanging off my arm for more”).
Final track ‘Great White Way’ provides hazy distortion with subtle funk-laced basslines and gritty riffs.
The new release encapsulates Do Nothing’s desire to push the boundaries. Whilst an EP resembling ‘Zero Dollar Bill’ may have been welcomed by their growing legion of admirers, it’s clear a year spent mostly inside has not dampened the band’s taste for variation. Variation, that has allowed them to craft something truly unique, achieving a sound like nothing on the current music circuit.
4/5
