With all eyes of the world on America last night, it was only too fitting that I should join the masses. But whilst others were looking to Washington, I was immersed in Missouri, and the story of Ken Rex McElroy, the tyrant of Skidmore. KENREX, currently playing in Sheffield Theatres’ Playhouse, is a thrilling exploration of a true story, told with power and immersion that is unrivalled in many productions I have seen in the venue.
Performed by Jack Holden, his characterisation is exceptional, telling a darkly convincing and exhilarating story that hooks you from the very first moment on stage. I was gripped by every word and walked out feeling genuinely shaken at the performance, in the best way. His writing, combined with his ability to bring the story to life is a joy to watch and I am excited to see what Holden goes onto after this production, or where the production itself may go following its run in Sheffield.
The focus on music and the soundscape being crafted throughout the performance is a fantastic creative decision and elevates this production to new levels. With the music written and performed by John Patrick Elliot, and the decision to have him on-stage with Holden gives the show a lease of life that would have been sorely missed had a different direction been chosen. The music interacts with Holden’s stage presence creating a unifying message that emphasises writers’ Holden and Ed Stambollouian’s visions to spectacular effect.
I also enjoyed the technical direction this play took, and the way in which this is incorporated with other elements of the production and the wider story. The use of lamps as headlights, a tall LED frame and other choices is used well, emphasising their use but not being reliant on them for the entire production, allowing Holden to flourish on stage. It is also the most ambitious use of set I have seen in the Playhouse, with stairs and raised platforms used, despite the relative intimacy of the performance space. I would love to see more ambitious sets in the Playhouse, especially with KENREX setting such a striking and defining example of what is possible.
KENREX is a wild ride into an untold story in American history that brings the thrills to the steel city in a shocking but masterful way. Elements of this production intersect well to immerse audiences in the life of Ken Rex McElroy and the power of the people rising up against a tyrant. An understated production, this show should definitely have a future after its run at the Playhouse concludes, and I would love to see it reappear soon touring the U.K., or potentially in a West End residency.
Rating: ★★★★☆
KENREX is playing at the Tanya Moiseiwitsch Playhouse until November 16th
