From December 4th to the 6th, Dead Poets Society hits the stage- SUTCo’s newest and most thrilling production. Based on the critically acclaimed movie starring Robin Williams, audiences follow Neil Perry (Louis J), Todd Anderson (Will Dunn) and their group of friends as they are led by their inspirational English teacher John Keating (Yugesh Kannan). Motivated to look beyond the practicalities of their pursuits; to love with vigour; and to embrace the present- or more appropriately, seize the day- director Phoebe Cookson’s handling of the story is pure mastery.
The dichotomy between comedy and tragedy was perfection. This was a production that evoked emotion across the range of human feeling; laughter rippling over the audience on a many number of occasions. In particular, Roberto Rowinski’s portrayal of Charlie Dalton was infused with a perfect balance of ego and lovability that gave a real warmth to the character. However, the real standout moment was Tina’s (Teagan Smith) vexation that she “did not even know who Shakespeare was!”, causing the gentleman in front of me to erupt in fits of raucous laughter.
The tone was meaningfully altered towards the end of the play. The soft and subtle melancholic expressions exhibited by J were heart-wrenching; as was Dunn’s guttural scream. The tragic climax of the play was acted beautifully. I did, however, find the movement from this scene to the next rather abrupt and clumsy. The darkness of the stage felt poignant one second and confusing the next- the lack of transitional music suddenly terminating the emotional moment.
More positively, the use of the stage was exemplary. The movement from the main platform, to the back of the stage, to the parapet created a real immersive experience for the spectators. This feeling of involvement was critical to the generation of empathy, compassion and tenderness inherent in the Dead Poets Society. The lighting and technical effects were also beautiful to behold- watching Dunn’s contorted face through the snowfall was visually stunning, and emotionally stirring. The warm orange light of the cave created an atmosphere of cosiness and friendship between the boys. Spellbound, our eyes were drawn to their moments of camaraderie- cementing the intimacy of their relationships.
Further, I loved the modern, Anglified adaptation of this production. The inclusion of British-isms throughout was surprising but enjoyable to this audience. The incorporation of a queer relationship between Pitts and Meeks was also a fresh and potent addition.
Overall, SUTCo’s Dead Poets Society is a must-see watch. Seize the day and book your tickets now!
Rating: ★ ★ ★ ★ ☆
