• News
  • Features
  • Opinion
  • Science & Tech
  • Culture
    • Lifestyle
    • Arts & Theatre
    • Break
  • Entertainment
    • Games
    • Music
    • Screen
  • Sport
    • Basketball
    • Football
      • Sheffield United
      • Sheffield Wednesday
    • Ice Hockey
    • Rugby League
  • Printed Edition
Search
Forge Press
Home
About us
Get involved
Logo
  • News
  • Features
  • Opinion
  • Science & Tech
  • Culture
    • Lifestyle
    • Arts & Theatre
    • Break
  • Entertainment
    • Games
    • Music
    • Screen
  • Sport
    • Basketball
    • Football
      • Sheffield United
      • Sheffield Wednesday
    • Ice Hockey
    • Rugby League
  • Printed Edition
More
    Facebook
    Instagram
    Linkedin
    Twitter
    Culture Arts & Theatre Touring Production Review: The 39 Steps

    Touring Production Review: The 39 Steps

    By
    Adelaide Mason (she/her)
    -
    1 May 2024

    When you go to the theatre you never expect what you see to be totally realistic, yet, usually, the characters on stage don’t seem to know that they’re confined to a small space in a building, and not actually out in the ‘real world’ However, that isn’t 100% the case with Patrick Barlow’s comedic adaptation of the 1935 Alfred Hitchcock film, The 39 Steps. 

    The 39 Steps in its original form is a novel written by John Buchan in 1915. Although it is one of the first great thrillers, Barlow struggled to find inspiration from the book alone. Instead, he turned to Hitchcock’s 1935 adaptation which made the story into a classic spy film, and from which we have all the memorable parts: the German femme fatale, the lonely Scottish girl, the beautiful blonde heroine…

    What I thought was particularly striking about Barlow’s adaptation was that it was performed by a cast of just four actors. The constant switching of roles required by Eugene McCoy and Maddie Rice (whose parts are referred to as ‘Clown 1’ and ‘Clown 2’) really brings out the comedic aspects of this show. They also interacted really well with the audience and reminded us all to not take the show too seriously! 

    From left to right ~ Eugene McCoy as Clown 1 & Maddie Rice as Clown 2. Image Credit: Groundhog Day Wiki & Fairy Powered Productions

    I was also really impressed by the actors’ use of props. These were all reasonably basic (doors on wheels, wooden squares as windows, an unfolding bed…) but they added to the comedy whilst also ensuring a fast pace because there was no need for long-lasting black outs because the props could easily be moved on and off stage. My favourite prop was the lamppost that was used at the start, which the two ‘Clowns’ kept bringing on and off stage! 

    Overall, I’d really recommend going to see The 39 Steps if you get a chance. Whilst its not a musical, it is definitely easier to watch than lots of plays because it is so light-hearted and doesn’t take itself seriously, which is really refreshing in a time when theatre seems to be getting more and more serious. And, of course, you’ve got to watch the show if you want to know what the 39 steps are!

    Rating: ★★★★☆

    The 39 Steps is playing at the Sheffield Lyceum until May 4th, & touring the U.K. until August 3rd

    Image Credit: WhatsOnStage

    • TAGS
    • Adaptation
    • Alfred Hitchcock
    • Arts & theatre
    • arts review
    • book
    • comedy
    • film
    • germany
    • Lyceum
    • Lyceum Theatre
    • play
    • professional theatre
    • Review
    • reviews
    • Scotland
    • Scottish
    • Sheffield
    • Sheffield Theatres
    • the 39 steps
    • The Lyceum
    • theatre
    • Theatre review
    • Tour
    Facebook
    Twitter
    WhatsApp
    Linkedin
    Email
      Adelaide Mason (she/her)
      © Newspaper WordPress Theme by TagDiv